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Music

December 3, 2024

What’s Going on with Pharrell and Chad Hugo?

By Jillian Foley
April 30, 2024

From Hall & Oates to Hall v. Oates

By Ignacia Vasquez
May 2, 2023

An Analysis of the Copyright Lawsuit Against The Rolling Stones

By Natalie Alexander
May 1, 2023

Ex-Flame of Bad Bunny Sues for Use of Her Voice Memo, “Bad Bunny, Baby”

By Loris Baechi
March 20, 2023

Astley v. Matthew Hauri PKA Yung Gravy & California’s Right of Publicity

By Eleanor Grasso
March 14, 2023

Ticketmaster: The Public Enemy

By Ellie Solomon
March 8, 2023

Summarizing the Issue of Rap Lyrics Used Against Defendants in Court

By Spencer Shih
December 6, 2022

A Music Industry Unchained: Blockchain Solutions to Music’s Big Data Problem

By Jacob Geskin
November 3, 2022

Ed Sheeran Is Thinking Out Loud: Can Songwriters Get Back to Writing Songs, Instead of Having to Prove That They Can?

By Sam Tanenbaum
October 17, 2022

Battle of the Queens: Mariah Carey’s Trademark Troubles

By Sarah Elizabeth Sanchez Velilla
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The Fordham Intellectual Property, Media & Entertainment Law Journal is one of the leading scholarly law journals dedicated to the publication in all areas of intellectual property law.
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