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NFT

April 24, 2025

Serve the Unknown in the Crypto Age

By Ray Sang
May 8, 2023

Seth Green’s Stolen Bored Ape and the Rights of the Innocent Downstream Purchaser

By Joshua Rosenberg
March 29, 2023

NFT Creator Resale Royalties: A History of Droit de Suite from Jean-François Millet to Robert Rauschenberg to SuperRare

By Josephine Luck
February 25, 2023

An Update on Hermès v. Rothschild: The Future of NFTs and Freedom of Expression

By Amanda Rozencwaig
November 4, 2022

NFTs, Smart Contracts, & Entertainment Industries

By Louis Mandeville Peiriere
May 5, 2022

Blockchain and DAOs – A Guide to Functionality and Associated Legal Issues

By Dimitar Atanassov
April 29, 2022

Pulp Fiction NFT Lawsuit Tests Dated Copyright Law

By Nicole Brenner
April 20, 2022

Nike, NFTs, and the Metaverse

By Odeya de la Mure
April 19, 2022

NBA Top Shot: A Deep Dive into NFT Technology and its Business Model

By Thomas Smith
April 18, 2022

Brand Protection in the Metaverse

By Jacob Gabor
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The Fordham Intellectual Property, Media & Entertainment Law Journal is one of the leading scholarly law journals dedicated to the publication in all areas of intellectual property law.
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