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Television

March 28, 2025

Life Rights for Biopics and Docudramas: The Case for Acquisition

By Ethan Rosenberg
November 7, 2024

Flag on the Play?: The NFL’s Expansion to Streaming

By Bailey Alberton
March 10, 2023

Narcos: The Battle of the Titans

By Loris Baechi
November 10, 2022

HBO’s ‘Winning Time’ and the Problem with Portrayals

By Saeed Durojaiye
April 12, 2022

The Tribe Has Spoken: How Survivor Recontextualized the Attorney-Client Relationship

By Steven Halpern
November 11, 2021

The Movie-Streaming Dilemma: What Does Success Mean in the Post-COVID Era?

By Cameron Kasanzew
November 15, 2020

Quibi’s Failure Threatens to Erase Some Lessons for the Streaming Industry

By Will Delaney
October 7, 2020

Space Race to IP Rights

By Lauren Schulman
September 19, 2020

When “Literally” Literally Means “Figuratively”: One America News Network v. Rachel Maddow

By Michael Conklin
April 7, 2020

DirecTV Subscribers Move to Sack NFL for Its “Sunday Ticket” Programming

By Jermel Singleton
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The Fordham Intellectual Property, Media & Entertainment Law Journal is one of the leading scholarly law journals dedicated to the publication in all areas of intellectual property law.
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